Annette Blonski at Freda’s Minyan 1 May 2024
Freda was introduced to me back in 1973 by our mutual friend Barb. She and Freda were friends and colleagues, teaching at what was then called Coburg Teacher’s College. The College was built in the shadow of Pentridge prison, one of the toughest prisons in the country and it was an old prison, surrounded by massive towering bluestone walls. This was not the chic, hip, housing estate that it now is with its boutique cinemas and excellent cafes. I digress.
Both Barb and Freda were trained teachers, both passionately feminist and both devoted to promoting the study of what was a new discipline: the study of cinema, not just the odd film review but a wholehearted embrace of the cinema worthy of the same sort of theoretical and critical examination as any other art form be it music, literature, the fine arts, all of which Freda was devoted to but added to which the cinema was another in the long list of her interests. I gather from Barb that Freda was at first a reluctant convert to teaching cinema, being devoted to literature as a student and then as a high school teacher, but for the rest of her life, it became the predominant area of research, intensive study and active engagement. What was life after all, without going to the cinema, sitting in the dark, and watching a movie?
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